Volume I
Price: 77$
-shipping is not included-
Volume 1 is focussing on developing the basic knowledge of the pitchfork analysis through the market dynamics and the morphology of the pitchfork (market kinetics and study of pitchfork’s structure: definition, form, inflexion, derivation and compounding).
No prior knowledge of trading is required.
Introduction & Disclaimer
- Chapter 1 – Birth of Pivots
- Basement of pitchfork construction
- Chapter 2 – Pivot Choice Criteria
- Optimal market description
- Chapter 3 – Magnet Power of Median Line (ML)
- Dual role – price attractor and market axis
- Chapter 4 – Mini-Median Line (mml)
- Border, inside, steep and twin pivot formations – fractals of a fractal
- Chapter 5 – Warning Lines (WL)
- Ergonomic tool for trading volatile markets
- Chapter 6 – Trigger Lines (TL)
- Dual role – trade unlatched potential and strong market levels
- Chapter 7 – Sliding Parallel Lines (SH or PH)
- Hidden parallel lines
- Chapter 8 – Un-Orthodox Trend Lines
- Stealthy trend lines
- Chapter 9 – Minor and Major Pitchforks
- Integration among pitchforks – fractal within fractal
- Chapter 10 – Schiff Pitchfork Method – construction, market integration and dynamics
- Missing link – efficient substitute when the traditional pitchfork cannot be drawn
- Chapter 11 – Action/Reaction (A&R) Lines
- Construction, synergy, conversion into pitchforks and their dynamics
- Chapter 12 – Gap Median Line
- Neglected though efficient tool
- Chapter 13 – Breakaway and Runaway Gap Median Lines
- Unveiling the potential of big market movements
- Chapter 14 – Fibonacci Price Lines
- Support/resistance (S/R) makers
- Chapter 15 – Confluences
- Cardinal tool revealing intersecting hidden levels
- Chapter 16 – Mirror bars
- Reversal, stop loss and trail key levels
- Chapter 17 – Energy Building Rectangles
- Exhaustion and rebuilding energy areas
- Chapter 18 – Pitchforks’ Journey through the Multiple Time Frames
- Hardly known pitchfork time translations
- Chapter 19 – Case studies & Money Management
- Complete case description, three pawn rule and strict money management follow-up
- Appendixes
- Appendix n° 1 – Historical Basis
- Appendix n° 2 – 80/20 Percent Rule
- Appendix n° 3 – Contents Volume 2
- Appendix n° 4 – Multiple Time Frames – Analogy Study Satellite Multi-Altitude Level Snapshots
- Appendix n° 5 – Published articles by Author
Charts
Figure 1
The morphology of the pitchfork reveals a true relation between price and time, in both trending or sideways markets.
Figure 2
Multiple pitchforks set-up is one of the indispensables elements, which senses the abrupt change of the trending market
Figure 3
The price faithfully describes the down-sloping market through the channel formed by the internal median line and the upper median line in the search for the path of the least resistance!
Figure 4
The market outburst with a high steamed momentum, is best described by a pitchfork having the anchor at the high, the middle or the low of a gap. The anchor is on this chart at the high gap pivot.
Figure 5
The choice of the Schiff median line is very useful when the projected pitchfork faces a „vis-á-vis” swing, especially after a reversal, followed by a breakaway gap.
Figure 6
Most of the traders don’t think of observing „what doesn’t happen” on the chart. The concept of running out of steam gives the trader a serious edge to reveal the up-sloping or down-sloping failures, especially in topping or bottoming markets. They are the basement of many low-risk high-probability trades.
Figure 7
Some of Action / Reaction line set-ups bring the question of integrating a pitchfork with a suspended pivot (P2 in our case). Only one thing counts … get the best market description!
Figure 8
The pitchfork perfectly integrates in the multiple pitchforks set-up, to pinpoint a possible reversal, or the termination of the current swing.
Figure 9
The sideways market, which represents around 70% of the trading time is very well put to profit with the association of the horizontal trend line support-resistance and the usual multiple pitchforks set-up.